2020 is about to end, which means it’s time for that end-of-year summary, by now a tradition. It turns out that this is my fifth end-of-year post. ANY Texture is now five years old!
How do you summarize a year like 2020? A year in which the sense of time itself has been compromised? The world as we knew it shifted. Time got warped. Our lives were turned upside down and we all went on a wild emotional roller-coaster ride. Many of us emerge from this year somewhat altered…
For me, this year led to both physical and lifestyle changes. The physical changes were relatively quick: We had to adjust our house to accommodate distant learning and everyone being home all the time. We moved large pieces of furniture, rearranged rooms, assigned new functions to old spaces. My kids confiscated the glider chair that sat in my sewing room for years, and which housed my huge pile of unfinished projects. That forced me to try my hand at reupholstering…
There were changes in the garden, too. After several years of neglect (ANY Texture’s fault!) I finally managed to spend a lot of time outside, digging, pulling, pruning and planting to save my sanity. The garden almost resumed its pre-ANY Texture glory.
The lifestyle changes have been more gradual and are still ongoing. My life slowed down. I’m in less of a hurry. More and more, I’m enjoying the small things, the little moments, the here and now (perhaps because the future is so unpredictable, and any plans are susceptible to change). I’m finding more time to read books, to watch movies, to practice yoga, to learn new things. I have a better balance between life and art making. With everyone home, there’s been more cooking, baking, eating, spending time together. The upsides of a dire situation.
ANY Texture was born after I got the Bag Bug five years ago. Following a few months of intense bag making, however, I started creating other things, including art quilts. For a couple of years I’ve been meaning to make more fine art, but haven’t quite gotten to it. When my father passed away last year, I realized that life was short, and that I should concentrate on the things I want to do and spend less time on the things I don’t enjoy. So I made less bags, participated in less craft shows, and completed my first quilt series, the Calendar Quilts. Then 2020 arrived.
I kicked the year off with a boro jacket to honor my dad.
Right when I was finished, the pandemic happened. Shows got cancelled, online shopping halted, everything closed. I no longer needed to create inventory. Instead, I turned to art as a refuge, a means of expression, an escape from the world.
We entered the first lockdown in the spring. I spent much of it in my garden, where insects, birds, squirrels and the occasional cat kept me company. I found it to be the perfect time to further explore the shape of insects and beetles, something I’ve been meaning to do more of since I completed my Dare! quilt in 2017. I made more butterfly brooches:
Then the Amazing Beetles series.
And I was finally able to play with three-dimensional beetles as well:
For several years I’ve been wanting to try Ann Wood Handmade’s owl and bird soft-sculpture patterns. The pandemic gave me the time to get to it. I first made owls.
And also wrote a tutorial for a small owl my daughter made based on something she saw in Japan:
Then I worked on a flock of birds.
And finally created a series of small bird quilts:
My sister and mother were supposed to visit in the spring. Their much-anticipated visit got canceled like everything else. So I made my sister a quilt of her cat Trini:
My true passion lies in abstracts, and this year I got to play more with that. Interestingly, I am realizing more an more that even my abstracts are strongly influenced by nature…
Early in the year, I completed the Colors of the Day series, a series influenced by landscapes I enjoyed on past travels.
Later, I created a series of mood-depicting Textile Poems. These drew much of their inspiration from my garden.
I also explored the textural variety of Tree Bark, something that was on my to-do list since my trip to Japan a couple of years ago.
Art Influenced by Current Events
2020 was an unusual year, and I couldn’t but respond to it in my art. This year, I created three of what I think are my most powerful art quilts to date: Interdependence, Ashes and 2020.
I also made Black Lives Matter, Wildfires and Let the Mending Begin.
Early in the pandemic, I made wall hangings of the Jewish Blessing of the Child for my children, just in case…
Before Thanksgiving, I made a textile card for my mom:
And in the fall, the maple tree outside my window inspired me to make an Autumn Leaf wall hanging. You can find the tutorial here.
After completing all these art quilts and more in one year, I decided it was time to finally join the Studio Art Quilt Associates (SAQA), something I’ve been wanting to do for a long time. I’ve been really enjoying all that they have to offer. Check out their website for some gorgeous textile eye candy!
In December, I was honored to be included in an article on recycling in textile art, written by Heidi Ingram for the TextileArtist.org blog. Check it out here.
So here we are, at the end of 2020. Back in a second lockdown, with Covid numbers skyrocketing, but with the promise of a vaccine in sight. My sewing room is still messy. The Unfinished Project pile is taller than ever (I didn’t even touch it this year!), and is now homeless. My scrap boxes multiplied from three to seven, and are all overflowing (even though I used mostly scraps this year… This will remain a mystery).
Next year? Tackle those UFOs, perhaps? I have ideas for more art quilts than I can possibly make, piles of jacket-worthy fabrics, and a long list of things to learn. In other words, I’m excited to keep experimenting, learning, and growing as an artist… The adventure continues 🙂
Thanks so much for accompanying me on this journey!
Happy Holidays and a Happy New Year. Keep safe and cozy.